I haven’t been sleeping much lately, guys, so my brain-hole is a little slow today. Every time I try to sleep, my mind goes all a-flutter and I spend the night rolling over more than Rosa Parks in her grave every time a Tyler Perry film comes out.
To make up for my lag, here's a lengthy post.
[Names have been changed to protect those with internet]On 4/28 a friend of mine sent an e-mail asking if I’d be interested in hosting a burlesque show on 4/30. When it comes to my blackting career I never turn down a gig and told her to pass on my info. Thanks to the magic/horror of Facebook, within 15 minutes I was in touch with my friend’s friend, and Lydia, the show’s producer, who weren’t the same person.
(red flag #1)I send Lydia
my YouTube link and within minutes I was booked. At the end of the email, she adds, “bring your favorite pair of high heels for the finale dance number!”
(red flag #2) I don’t do choreography, y’all. I hold the talking stick and makey the people laugh.
After staying in bed all day with sinus issues, I showed up at the “venue” about half an hour before the show started. By “venue,” I mean
the girl’s apartment.
I walked in to a flurry of Caucasian skin, as ladies ran around in tiny outfits, applying mascara and practicing their moves. I just sat in an armchair and tried not to get in the way.
The only person who was equally useless was a 40-something guy named George, who had silver hair and black-rimmed glasses. He gave off a grown-up-hipster-on-a-gluten-free-diet vibe, so I made chit chat and discovered that he was Lydia's roommate.
“So what do you do?” I ask. Really, I was wondering why he’d stay in his apartment on a Saturday night when his roommate’s having a burlesque show.
George takes a beat. “For a
living I work in IT.”
(red flag #3)Okay, I’ve watched enough TLC and A&E specials to know when someone’s hiding a freaky secret. I asked him what he did for fun, laughs, for kicks. George looks me square in the eye, adjusts his specs, and says, “I teach rope bondage to couples, showing them how to engage in rope play. And I also do it for fun. I tie up women, men—mostly women—and explore the pleasure and sexuality in that.”
[I’m not even flagging that shit, guys. It speaks for itself.]Oh good lord.
Before I could respond to this over-share, a young lady with nice boobs interrupted me. “Are you Starshine?” she asked frantically.
I am not Starshine.
Apparently, Starshine was the emcee, and at 20 minutes to showtime, still hadn’t arrived.
(red flag #4) Meanwhile, I’m trying to locate Lydia so that I can find out when I’m going on and how long my set should be. I catch her in mid-sprint and she says, “30, 45 minutes at most.”
Um, unless this is an HBO special, I don’t think that sounds right. “No, not the length of the show-show--how much time do I have?”
She looks helplessly.
“Let’s say 8-10?” I suggest. She nods and waves me away.
At 10 minutes to 9pm, people start trickling in and the show’s nowhere near starting. The apartment was New York City huge—a loft with abstract art on the walls, brand-spanking-new hardwood floors, and an Ikea sensibility. Fancy, and all, but it was someone’s home. Strangers were putting things in the closets. I felt like I was in a youth hostel. A white-haired elderly couple walks in and heads to the kitchen. I take George’s seat so that I’m not in the way of foot traffic. He comes behind me and starts rubbing my shoulders (which are always tied in a Gordian knot). “Are you a drug dealer?” he asks.
Great, now this guy wants to get some heroin and start an orgy.
“You’re just really really tense,” he says in response to my sideways glance.
The buzzer starts ringing incessantly and I become the doorman, letting people in and directing them to take off their shoes, until 9:30—thirty minutes behind schedule, which is when the show finally started.
Starshine appears from “backstage” (the girl’s bedroom) and starts with a sexy opener: “Welcome to Ladies Night,” she says sultrily, trying to get them into the burlesque mood. “First off, the bathrooms are over to your left, down the hall. Tonight we’re guided by the rule, If it’s yellow, let it mellow; If it’s brown, flush it down. We have some lovely ladies for you tonight….”
WHAT?! We're opening a variety show with the notice that urine should remain untouched for as long as possible? What about silencing cell phones, a reminder to enter a raffle, or saving applause until the end?
This is when I realized that I needed to remember every moment of this night for blogging purposes.
The set list was as follows:
1. Starshine opening
2. Tango 1 – Lydia and a dude.(quick change)
3. Tango 2 – Lydia and a dude—in different outfits.
4. Girl with a guitar, singing a song.(quick change)
5. Lydia AGAIN—in a different outfit—doing a solo piece. It is an interpretive dance to "Walkin' in Memphis" which she dedicates to “all the workers.”
[NB: There have been three costume changes and Starshine has changed outfits twice. I do not know which workers she's referring to.]
6. Girl with guitar comes back again and does an original song.
[She is the best part of the show, and her voice sounds like she swallowed Etta James. I want to be her bff.]
Raffle-prize drawing—people have entered to win a sex workshop or a massage.
7. I come on and do stand-up.
8. Burlesque number.
*Random dude in the audience comes over and starts chatting me up, telling me how funny I was and asking where I regularly perform. Although I appreciated the praise, we were IN AN APARTMENT and he was talking way too loudly.*
9. Another burlesque number
[note: this is ALL TAKING PLACE IN AN APARTMENT. PEOPLE ARE SITTING ON THE FLOOR—EXCEPT FOR THE ELDERLY COUPLE, WHO ARE SITTING ON THE FUTON.]
10. Lydia COMES OUT AGAIN in a new outfit and performs a burlesque number “Teeth” by Lady Gaga. She is wearing a negligee and high heels, and smiles to reveal vampire fangs.
11. All the ladies come out—IN NEW OUTFITS—and do a group number to “In These Shoes,” by Bette Midler.
Did I forget to mention that this show cost $12 in advance, or $15 at the door?
When I asked what this was raising money for (since she’d already told me it wasn’t a paid gig), George said, “It's just for Lydia.”
Oh, really? You’re charging folks to come to your house, take off their shoes, sit on your floor, leave their valuables unattended, and probably exchange bedbugs while you do modern dance to an early-90s power ballad? I need to find some moneyed, non-actor friends who'll go to any lengths to support my art.
As much as the show was like something you’d see in a freshman dorm at a liberal arts college,* the crowd loved the blacktress. I was really flustered and not used to being in someone’s living room with 40 pairs of eyes staring straight at me. I also wasn’t sure if they could handle my truths, but a throw-away line about gentrification went over really well, and I loosened up quickly. I haven’t performed in front of a “normal” audience (i.e. not actors, comedians, or improvisers) in a while, and it was good to remember that regular folks aren’t so hard to win over.
After the show, a red-haired woman came up to me and gave me some love. I noticed her in the crowd because she was one of the few people to laugh at my joke about sister wives. “We were cracking up because I’m on a date with this guy and his girlfriends [that's no typo, guys], and before we got here we were joking about being his harem!”
I then spent the next 10 minutes following her around the room screaming “WHERE ARE THE SISTER-WIVES???”
I found them. They were sweet yet homely. It was just like TV.
The man in this equation was an Oklahoma transplant covered in tats, had a bar through his nose, and looked very much like he could commit a hate-crime. He quickly shared the story of his first black girlfriend (natch) and told me about how he was made an “honorary African American” in third grade. I was torn away from my real-life episode of “True Life: I’m Polyamorous” by a guy named Fernando. I had gone on a rant about
the stand-up comedian/former marine/dating coach during my set, which spoke to his heart.
“I know that guy you were talking about in your set,” Fernando said. "We used to work together doing coaching."
OH MY GOD. Of all the burlesque shows-in-an-apartment, in all the world, Fernando had come to the one where I was doing a set. We went into a discussion about what a “nice asshole” the dating coach was, and I suddenly felt my entire night—nee, my
existence—was vindicated.
I gave out my new business cards like they were candy, and Sunday night it came back to bite me in the ass. I got an e-mail from the Random Dude titled “Drinks?”:
I think the title speaks for itself. I'm the bald man from the burlesque show if you haven't figured it out :)
I enjoyed chatting with you and would like to have a chance to do it again. Normally, I call to do these kinds of things, but I'm currently out of the country. I'll be back thursday.
Wanna meet up on Friday evening?Ah, memories of my slutty days, where this drunken bald man’s oddly formal email, complete with the intimation that he’s worldly, would have given me something to swoon about for days—and blog about for weeks. Despite the 3 minutes of my set that I devoted to my Jewboo, I still had to explain to him that I was off the market. I guess it’s good to know that I’ve still got it after all these years! It’s even better to know that I am not tempted to stray from Jewboo out of fear, boredom, the desire for a tall man, or a need for attention. Growth!
*(You know, right in the middle of second semester, when everyone’s talking about gender as a performance, and your roommate’s now going by the name ‘Zev’ until he/she can decide how to self-identify.)
