The multi-culti staff at The Red House Furniture Store, in North Carolina!
Please watch the youtube video below, which brought to my attention by a fellow woman of color and writer. Join us both on the emotional rollercoaster.
Things to know:
This video was not made as a joke.
This is a real establishment.
AAAHHHH, IT'S SO AMAZING!!! When Richard, aka BIG HEAD, says he likes, "pumping iron, as well as pumping furniture into people's HOOOMMES" I almost wish I had 3-D glasses so I could feel his hands coming towards me.
Ten Gauge is pretty sweet, too.
I like how they added "and hispanic people, too. All people." at the very end. Someone picked that up in post-production, no doubt.
It's good to see local businesses doing their part to combat racism and oppression, while still making me feel unsafe.
Um, you're welcome, gentle readers.
Monday, November 2, 2009
Saturday, October 31, 2009
Happy Halloween Y'ALL!
I'll be spending Halloween night in the house, trying to avoid the crazy Carnevale that is NYC on a night of masks and mayhem. However, this doesn't mean I'm without spirit! Check out this oddly shaped man doing his best dance moves in a unitard. It's scarier than anything you'll see on All Hallows Eve:
You know there must be nothing going on in Nebraska when the news can devote over a minute of precious airtime to this dancing queen. They were like, "This just in: A calf was born on Knotts Farm! ... er, now for the pumpkin dance!"
You know there must be nothing going on in Nebraska when the news can devote over a minute of precious airtime to this dancing queen. They were like, "This just in: A calf was born on Knotts Farm! ... er, now for the pumpkin dance!"
Labels:
Halloween,
KXVO Pumpkin Dance,
News,
Omaha Nebraska,
youtube
Wednesday, October 28, 2009
Thanks, Gmail!
Clearly, I'm obsessed with gchat. However, gmail is going above and beyond the call when it comes to answering user queries. When looking into how to remove a contact (most importantly, trying to figure out if the contact, by being removed, would no longer have access to the blacktress), I got the following info from gmail, which really made my day:
1. From your inbox, click the bold link on the left:
"Contacts".
A list pops up with all your groups:
"Friends, Family, Coworkers, Gremlin Trainers, Most Contacted, All Contacts... etc",
2. Select All Contacts.
A list pops up with all your Contacts. You can even search, if thats how deep you roll, but that probably means you have too many contacts and why not just leave that one?
3. Select that person you don't really hate per se, but just don't want to see in your chat status list...
--because you still want to keep her email address...i mean, you never know how this new chick might, as seems to be all too typical with these irish ones, wax insane over the summer and, though you're ashamed, and you know you probably made a big relationship no-no by hooking up with three of her friends at her parents' "renewal of vows" ceremony, whatever the heck that was, you might want to go running, or, more like it, crawling back!--
A window pops up with various options for where to move/what to do with that contact, including: "Show in chat list"
4. Set that contact to: Auto, Always, Never, or Block.
5. Take a deep breath, get some exercise, stay well hydrated, lay off the junk food, look ahead to a beautiful new day, and smile knowing that awful person is off your chat list.
Gmail just cuts me to the core. Irish chicks DO wax insane* over the summer, how did they know??? They also know that, when getting through crazy internet issues, staying hydrated is crucial to coming out on the other side in one piece. I'm wondering if I can start asking google other, non-internet-related queries, see what they come up with.
*what does it mean to "wax insane"? sometimes google is too smart for me to handle!
1. From your inbox, click the bold link on the left:
"Contacts".
A list pops up with all your groups:
"Friends, Family, Coworkers, Gremlin Trainers, Most Contacted, All Contacts... etc",
2. Select All Contacts.
A list pops up with all your Contacts. You can even search, if thats how deep you roll, but that probably means you have too many contacts and why not just leave that one?
3. Select that person you don't really hate per se, but just don't want to see in your chat status list...
--because you still want to keep her email address...i mean, you never know how this new chick might, as seems to be all too typical with these irish ones, wax insane over the summer and, though you're ashamed, and you know you probably made a big relationship no-no by hooking up with three of her friends at her parents' "renewal of vows" ceremony, whatever the heck that was, you might want to go running, or, more like it, crawling back!--
A window pops up with various options for where to move/what to do with that contact, including: "Show in chat list"
4. Set that contact to: Auto, Always, Never, or Block.
5. Take a deep breath, get some exercise, stay well hydrated, lay off the junk food, look ahead to a beautiful new day, and smile knowing that awful person is off your chat list.
Gmail just cuts me to the core. Irish chicks DO wax insane* over the summer, how did they know??? They also know that, when getting through crazy internet issues, staying hydrated is crucial to coming out on the other side in one piece. I'm wondering if I can start asking google other, non-internet-related queries, see what they come up with.
*what does it mean to "wax insane"? sometimes google is too smart for me to handle!
Labels:
gchat,
gmail,
great answers,
Irish chicks,
removing contacts
Monday, October 26, 2009
Best of Blacktress
So, I've started giving out my biznass card alot nowadays. With this card, the average random gets my full name, email addy, and blog address. Basically, they could use all these resources to become my double and be me for Halloween.
Clearly, my bloggery is hit or miss at times. I've decided that, for all those who come to the site seeking to hire me for their next major motion picture, I should be able to draw their attention to my funniest of funnies. Until this site gets hard core and has a ".com" URL, I'm going to just create this post.
Best of the Blacktress. Tell your friends.
- Stand up in Sydneytown (you know, so folks know about the international flava!)
- DUSK, a Twilight parody.
- The Original SCORNED WOMAN ECARDS!
- "Why Dawson's Creek Has Made It Impossible For Me To Have a Healthy Relationship. Ever."
(Um, you know it's true.)
- Mondays With Artists
- Heteromanese, Decoded!
Am I missing anything, gentle readers?
OH EM GEE, I'm about to see "Gentlemen Broncos," starring hottie Jemaine Clement from "Flight of the Conchords." Having seen Kristen Schaal (who plays Mel) last nigh, and after meeting Murray last year, I am on my way to collecting the whole cast! If only Brett would stop being so elusive..... Details to follow (and I don't mean the magazine! har har)
Clearly, my bloggery is hit or miss at times. I've decided that, for all those who come to the site seeking to hire me for their next major motion picture, I should be able to draw their attention to my funniest of funnies. Until this site gets hard core and has a ".com" URL, I'm going to just create this post.
Best of the Blacktress. Tell your friends.
- Stand up in Sydneytown (you know, so folks know about the international flava!)
- DUSK, a Twilight parody.
- The Original SCORNED WOMAN ECARDS!
- "Why Dawson's Creek Has Made It Impossible For Me To Have a Healthy Relationship. Ever."
(Um, you know it's true.)
- Mondays With Artists
- Heteromanese, Decoded!
Am I missing anything, gentle readers?
OH EM GEE, I'm about to see "Gentlemen Broncos," starring hottie Jemaine Clement from "Flight of the Conchords." Having seen Kristen Schaal (who plays Mel) last nigh, and after meeting Murray last year, I am on my way to collecting the whole cast! If only Brett would stop being so elusive..... Details to follow (and I don't mean the magazine! har har)
Labels:
best of blacktress,
crazy artists,
Dawson's Creek,
lists,
Stand up
Sunday, October 18, 2009
Casting Call (A Metaphor)
**WARNING: This post is not what you're used to. Read on and bear with the blacktress, or wait for the next post, which will hopefully be funny. **
So, I've been alluding to a certain young gentleman in a few of my October and September posts. And, as is usual for the blacktress -- and, as the hit song goes -- another one bites the dust.
I take these things harder than one probably should. I agonize in ways that, although can be HI-larious (where's my book deal?!), they can also drive me cray. And, I think I've finally figured out why I freak out. This information is nothing new, but as it goes with Sojo, I need to write out the TRUTH for it to set me free.
I am great on first dates. First dates are, for me, similar to an audition. I walk in effortlessly, taking a shot in the dark, and that energy and devil-may-care attitude is appealing. I play with my lines, I swallow my direction whole and give it back, because...well, why not? This person doesn't know what I've got, has nothing to compare my behavior to, and we're just gonna have fun for a couple minutes. Sometimes it doesn't stick, and I don't get the part. But that's usually okay, because I never knew more than those 3 or 4 pages of dialogue I had to audition with.
But then there are the callbacks. The second, third, fourth--and, if i'm lucky, fifth--dates, where I'm getting to know more about what I'm up against. Where I start to imagine myself in the role, see the possibilities, and get excited.
And I become terrified. The stakes are 40 stories high because I actually have a shot. It means he sees something in me that is better than the majority. So the sweat begins. The pacing, the worrying, the babbling. My lines no longer flow, because I've got one eye on the director, checking his response before I continue. Statements previously made with ease now end in question marks.
"I really like Ani Difranco? [Unless that intimidates you, in which case, I won't bring up music at all, and deflect to your interests.]" Things I know in my heart to be true, I become afraid to say, because in the past, it's been the "wrong direction for that character."
Don't get me wrong. My sense of self is strong. I know who I am, and sometimes I'm a hot-ass R. Kelly-style mess, and other times I'm RuPaul fabulous. I cannot change my core, and I don't aim to when I put myself out there. I just see myself as malleable, able to win over all sorts of people--depending on the order in which I choose to show you my range.
Because, when you're in a callback--when you're really being considered--the difference between scoring the role and not getting a phone call comes down to the minutiae. It's not that you don't fit--it's that you don't slide in effortlessly.
It could come down to your height. Or the way the camera captures you. Or the tiniest tick or gesture that, when magnified, suddenly becomes grating. Or it could be the way you turn a phrase that reminds the director of someone they hated, and now, no matter what, there's that association. Or it could simply be the color of your hair. And, although you could dye it (you'd still be yourself, it'd still be your skill), they don't really need you to when the girl two seats down is a natural. And although you've got the goods, they don't quite see you in their big picture.
Remember that this is a metaphor--forming relationships isn't this simple, and the status differences inherent in a director-desperate actor relationship are not always the way the get-to-know-you phase is constructed. And, as most people know, half the battle of "getting to production" is the deep desire to create something in the first place. It's the desire to put up with the difficulties.
So I know these are broad stream-of-consciousness strokes that don't get at the details. But I find the end emotion is similar because, when you consciously date, you present yourself. You package yourself in the most attractive way. You are a product, and you're trying to prove that product's worth. The frustration for both actors and lovers comes from knowing that you've got the goods, that you are good, and yet you don't have your shot yet. So do you keep on getting up and out there, knowing that all you can do is your best? How do you keep bringing your best stuff when you know that most times your best won't be good enough?
Or do you just stay in the bubble of acting classes and rehearsals, talking it out with friends and doing exercises that strengthen both your skills and your resolve?
I don't know.
So, I guess I don't really have a point. Just a different kind of post.
So, I've been alluding to a certain young gentleman in a few of my October and September posts. And, as is usual for the blacktress -- and, as the hit song goes -- another one bites the dust.
I take these things harder than one probably should. I agonize in ways that, although can be HI-larious (where's my book deal?!), they can also drive me cray. And, I think I've finally figured out why I freak out. This information is nothing new, but as it goes with Sojo, I need to write out the TRUTH for it to set me free.
I am great on first dates. First dates are, for me, similar to an audition. I walk in effortlessly, taking a shot in the dark, and that energy and devil-may-care attitude is appealing. I play with my lines, I swallow my direction whole and give it back, because...well, why not? This person doesn't know what I've got, has nothing to compare my behavior to, and we're just gonna have fun for a couple minutes. Sometimes it doesn't stick, and I don't get the part. But that's usually okay, because I never knew more than those 3 or 4 pages of dialogue I had to audition with.
But then there are the callbacks. The second, third, fourth--and, if i'm lucky, fifth--dates, where I'm getting to know more about what I'm up against. Where I start to imagine myself in the role, see the possibilities, and get excited.
And I become terrified. The stakes are 40 stories high because I actually have a shot. It means he sees something in me that is better than the majority. So the sweat begins. The pacing, the worrying, the babbling. My lines no longer flow, because I've got one eye on the director, checking his response before I continue. Statements previously made with ease now end in question marks.
"I really like Ani Difranco? [Unless that intimidates you, in which case, I won't bring up music at all, and deflect to your interests.]" Things I know in my heart to be true, I become afraid to say, because in the past, it's been the "wrong direction for that character."
Don't get me wrong. My sense of self is strong. I know who I am, and sometimes I'm a hot-ass R. Kelly-style mess, and other times I'm RuPaul fabulous. I cannot change my core, and I don't aim to when I put myself out there. I just see myself as malleable, able to win over all sorts of people--depending on the order in which I choose to show you my range.
Because, when you're in a callback--when you're really being considered--the difference between scoring the role and not getting a phone call comes down to the minutiae. It's not that you don't fit--it's that you don't slide in effortlessly.
It could come down to your height. Or the way the camera captures you. Or the tiniest tick or gesture that, when magnified, suddenly becomes grating. Or it could be the way you turn a phrase that reminds the director of someone they hated, and now, no matter what, there's that association. Or it could simply be the color of your hair. And, although you could dye it (you'd still be yourself, it'd still be your skill), they don't really need you to when the girl two seats down is a natural. And although you've got the goods, they don't quite see you in their big picture.
Remember that this is a metaphor--forming relationships isn't this simple, and the status differences inherent in a director-desperate actor relationship are not always the way the get-to-know-you phase is constructed. And, as most people know, half the battle of "getting to production" is the deep desire to create something in the first place. It's the desire to put up with the difficulties.
So I know these are broad stream-of-consciousness strokes that don't get at the details. But I find the end emotion is similar because, when you consciously date, you present yourself. You package yourself in the most attractive way. You are a product, and you're trying to prove that product's worth. The frustration for both actors and lovers comes from knowing that you've got the goods, that you are good, and yet you don't have your shot yet. So do you keep on getting up and out there, knowing that all you can do is your best? How do you keep bringing your best stuff when you know that most times your best won't be good enough?
Or do you just stay in the bubble of acting classes and rehearsals, talking it out with friends and doing exercises that strengthen both your skills and your resolve?
I don't know.
So, I guess I don't really have a point. Just a different kind of post.
Thursday, October 15, 2009
Dream DENIED
Did y'all hear about this madness down south? Well, thanks to my politically minded friends, and the Huffington Post, I was made aware just moments ago. Check it out:
An Interracial Couple Was Denied A Marriage License in Louisiana!!!!!!
Oh Hell to the No!! I feel as though, since Barack's election, close-minded members of Caucasia have felt more threatened than ever, and incidents such as these are coming up left and right--or, maybe because of our new Pres, these incidents are being called out. Either way, Sojo's pissed! Y'all know how much I love me a tall glass of milk (does a body good!), and here is Keith Bardwell, trying to shut down miscegenation, cause he's scared of us making more change-leading baby Baracks! This couple's dream wasn't deferred--it was straight up denied!
I love how this justice of the peace (Justice of the HATE, is more like it)talks about "his experience" with interracial marriages, which shows they don't last long. Well, hm, is it because 50% of ALL marriages end in divorce? I wonder what his views are on marriage licenses for shotgun weddings, or couples in the 18- to 25-year-old range? For some reason, I have a feeling that he has no problem issuing those licenses, as long as they keep it within their race.
Okay, I could go on, but I'll turn it over to you, gentle readers. Thoughts?
What about Iman and David Bowie, Mr. Bardwell??!?!?! They are too fierce to not be meant to be!
An Interracial Couple Was Denied A Marriage License in Louisiana!!!!!!
Oh Hell to the No!! I feel as though, since Barack's election, close-minded members of Caucasia have felt more threatened than ever, and incidents such as these are coming up left and right--or, maybe because of our new Pres, these incidents are being called out. Either way, Sojo's pissed! Y'all know how much I love me a tall glass of milk (does a body good!), and here is Keith Bardwell, trying to shut down miscegenation, cause he's scared of us making more change-leading baby Baracks! This couple's dream wasn't deferred--it was straight up denied!
I love how this justice of the peace (Justice of the HATE, is more like it)talks about "his experience" with interracial marriages, which shows they don't last long. Well, hm, is it because 50% of ALL marriages end in divorce? I wonder what his views are on marriage licenses for shotgun weddings, or couples in the 18- to 25-year-old range? For some reason, I have a feeling that he has no problem issuing those licenses, as long as they keep it within their race.
Okay, I could go on, but I'll turn it over to you, gentle readers. Thoughts?
What about Iman and David Bowie, Mr. Bardwell??!?!?! They are too fierce to not be meant to be!
Friday, October 9, 2009
Are You There Bryan Safi? It's Me, Blacktress
I just saw the best video ever, and wanted to share it with you! Enjoy, my sweets! (no homo)
Labels:
Bryan Safi,
homophobia's hilarious,
Lil' Wayne,
No Homo,
rap music,
That's Gay
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