Showing posts with label Haley Joel Osment. Show all posts
Showing posts with label Haley Joel Osment. Show all posts

Monday, June 20, 2011

Show of Shows

Hey internet friends!

As you know, I spent the weekend celebrating my new lease on life, and already had two stand-up shows booked for the weekend. I’m gonna skip the first and go right into the Saturday night show because I only did it so that I could share it with you via blod.

Remember that awesomely random burlesque show I did a couple months back? Well, the blacktress was so well received that I was asked to do the next one. As you know, that show was out of control on many levels. Knowing what I was in for this time around, I replied with a resounding YES—simply for the blog fodder it would provide. As you also know, child (WH)actor Haley Joel Osment is a huge influence on me, and like him, my primary goal is always to pay it forward.

Saturday’s show wasn’t exactly like the first one. First of all, instead of taking place in Lydia's apartment, it took place in a yoga studio (step up #1?). The rope-bondage guy was working the sangria table, and there were 10 folding chairs, a futon (covered in green satin fabric, no less), and faux-ethnic Pier 1 Imports pillows for sitting.

Nope, no need to adjust your specs; you read it right—15-25 people paid $12 in advance, $15 at the door to watch a 'burlesque' show in a yoga studio. I showed up just 10 minutes before the advertised start time, knowing what awkward sitting around I’d have to do, and I was still 40 minutes early.

That’s right, folks—show started damn near 35 minutes late.

I feel like I can't do the insanity of the evening any justice. This time, knowing I'd need someone to corroborate my story, I invited my friend Dana to come with me (don't worry, I'm not the worst friend--I got her in for free). I told her it would be cray, but I don't think she was prepared, and unfortunately I had to "stay backstage" (ie: in the smaller studio adjacent to the "show area") for much of it, leaving her to watch and fend for herself. Below is her retelling of the summer-themed burlesque show--it captures every moment with the innocence, honesty, and freshness of a child.

[To give you a bit of background (and because I wish you could hear her tentative, sweet voice as she tries to stay positive): Dana is soft-spoken, new to New York City, and a musician--dance and comedy isn't exactly her wheelhouse.]

"I was actually really excited, because I'd never really seen burlesque. But then, it was really odd.....wait, what was the first act?

Oh, yeah, that girl singing 'Summertime' in her piercing soprano voice. That was so strange, because I thought she was going to do a dance at first ... because nothing was happening and she was just standing there waiting for the iTunes instrumental track.

[I interject, reminding her of the summer theme, and suggesting it as the reason behind the musical number.]

"Oh, it was supposed to be all about summer? I guess it makes more sense now. .... I don't even know how to describe it.

"You missed the hula part, which was really, really weird. It was the girl whose show it was, right? She was wearing a long ankle-length dress with a really busy pattern, which was weird for hula. she kept doing all of these weird crouching moves and it was ... long ... that song was just so long. I don't know, I can't describe it....

"There were so many issues. Like, how could you not lip sync properly? Granted, I've never tried to take my clothes off at the same time as lip syncing, but you invited all your friends over and made them pay to watch you lip sync and you can't get that part right? That's not right.



"And that one that got completely naked--the girl at the end--she got out of the geisha robe, then put on a vinyl dress, but she got herself so oily in between that she couldn't zip the second one up, so it was just even more awkward.


[I interject yet again--I thought the zipper broke?]
"No, I think she was oily.

"Then that girl who did the burlesque to that song from The Little Mermaid--it was funny cause she was trying to make it kinda raunchy. Like...i don't know. It was actually one of the better ones, though.

"The whole thing was incredibly uncomfortable, when the emcee--Starshine? Is that her real name?--when she came out. That was pretty bad. And I do this thing that I get from my mom--like, when I'm watching a live performance that makes me uncomfortable, I make an encouraging face, which isn't really encouraging as much as weird. And I just did that the whole time she was on.


"The guy next to me was talking to me--he was shy and awkward and weird, but nice--I think because he was by himself. He kept asking me who I knew, and I said I was friends with the comedian, and he thought that I meant Starshine and looked so offended. Then I corrected him and after your set, he was like, 'Oh, your friend's funny.'


"I don't know. It was kinda like a talent show you'd do with your friends in your parents' basement, but adult."


Nothing in the above synopsis is made up--doesn't Dana just seem shaken by the whole thing, still reeling when prompted to discuss two days later? All of the aforementioned performance pieces took place. The only consolation was that this time, show producer Lydia only did two numbers--the hula and a cowboy-themed burlesque--leaving "the workers" to fend for themselves this month.

However, seeing a buck naked hairless woman's vagina was not what I signed up for, and it took the insanity into a different stratosphere. As this unnamed woman bent over coyly, exposing her birth canal, all I could do to keep calm was remind myself that after my set, this woman had told me I was "hilarious." She couldn't be totally mentally ill, as she clearly has good taste in comedy. But I just don't think I was supposed to see her cervix.