Showing posts with label Gena Rowlands. Show all posts
Showing posts with label Gena Rowlands. Show all posts

Thursday, July 7, 2011

Just Checkin' In

Hey gang!

Today’s been super busy. I had a show last night in the East Village and didn’t get home until after midnight. I didn’t eat dinner until 30 minutes after that, and, well, let’s just say that this morning I got to the plantation long after I was supposed to.

The show last night went well, although I was a bit rusty—hadn’t been on stage in a couple of weeks. I did, however, have a great time at the voiceover. My one line was:
I couldn’t find a hospital—forget about how I was going to get there.

I said this 50 times. I am not exaggerating.
Everyone was nice, but very brusque—they were just trying to get it done and move it on. The producer who booked me looked like the seamstress in The Incredibles, but was really nice.


I got there 10 minutes early, thinking that would give me time to get settled in, check my face, etc, but they were waiting for me when I got out of the bathroom! I got the “script” and went right into the booth. A lovely woman named Paula sat in the booth with me, giving me “a person to play to.” She looked just like Gena Rowlands, and I felt like I could trust her.

As I said the line, emphasizing different words each time, Gena Rowlands mouthed direction, such as “Slllooooooooowwwww,” when I needed to not talk so fast; “Toss it!” when she wanted me to ‘let go’ of a word; and leaning in when I reached a word that need emphasis. It ended up only taking 15 minutes, and when I told her this was my first job, she said, “Oh, you’re great!!!”
I wanted to tell her that I loved her in The Notebook, but I didn’t think it was the right time.

Today I got a call from an artist who is kind of obsessed with me. I met him over a year ago, and ever since, he likes to randomly call up and try to get published in the magazine. But instead of just selling himself, he insists on trying to inflate my ego. The thing is, he does so by saying things that are vaguely insulting and overtly lascivious. A couple weeks ago, during our painting event, he stopped by the opening reception. I tried to avoid him, but he made a beeline for a blacktress.

“Can I talk to you for a second?” he said, pulling me away from the safety of my fellow staff members before I could even respond.
“Did I do something to offend you?” he asks. “Because you seem angry with me.”
“What?” I had to fight the urge to roll my eyes. Um, are we sharing a bunk at summer camp? Why is he trippin’ like we have some bond?
“You always call me ‘sir’ and seem to be so formal,” he explained.
“No, [Carl,]” I said. “I enjoy calling people sir, and I tease you because your ego can handle it.” [The man insists being called by his full name in all correspondence—middle initial and all.]
“Oh, I see. Well, you’re good. You’re a funny one.”
He then proceeds to introduce me to every artist that passes by, whispering to them after we shake hands. Finally, I call him out. One artist explains, “Oh, he just said how beautiful you were.”
Um, HR violation!
When the other guy leaves, Carl proceeds to tell me about a “Stunning, brilliant black woman,” I should get to know. “She’s just like you,” he says, leaning in. “I love a smart and beautiful woman.”
[Note: Carl wears large round glasses and looks like a science teacher from the 1980s. He is a close talker and his breath often smells of red wine and patchouli.]

Oh, and did I mention that he also told me he has “an honorary brother card”? Of course, I demanded he take out his wallet and show it to me. All he could scrounge up was his discount card to an art-supply store.

So, when he calls me up today, he begins with a discussion of how talented I am. “I recently saw Robin Williams on Broadway,” he says. “And he’s got 5 speeds. You, you’ve got 10. Whoopi’s got 20, but you’ll get there.”

This man has never seen me perform. I am not at all interesting at work functions. I certainly don’t think comparing me to either Robin Williams or Whoopi Goldberg is appropriate or even flattering, because it’s so far off and based on so little information.
He ended the conversation the way he always does--by telling me how “impressed” he and his wife are with me. I think this has something to do with being “well spoken.”