And Now a Word From Our Sponsor

I think I’ve found a potential sponsor.

Tuesday night, while doing some stand up at The Pinch, I watched the other comedians and learned what to do—and what not to do. Last night’s show was interesting for a few reasons:

1. There was a large crowd in the back of the bar glued to the basketball game on the television, and they were quite vocal—about the game. This meant that during a comedian’s set, there would be random loud groans and frustrated screams as basketball player Tony Parker (aka, Eva Longoria’s husband) dribbled up and down the court with his fine-ass self. This created awkwardness and discomfort.

2. 4 of the 7 comedians were female!! Woot, sexy lady time! AND there was a blacktor. AND one of the chicks was Canadian!! It’s like it was minority night at The Pinch—god bless it!

3. Quite a few randoms appeared, though not many of my die-hard fans. This made me slightly nervous, as I felt the need to win over the crowd.

4. Oh yeah, and I met my sponsor.
Let me explain.

Fellow woman of color and writer, Scribe, explained the concept of sponsorship to me. A sponsor is your Caucasian ally who will support your dreams and goals through financial support, reference writing, and generally vouching that you will not roll your eyes or snap your neck in public—they will help prove you’re a darkie that can be trusted. Basically, if we were still in slave days, a sponsor is the white person who would buy your freedom.

My future sponsor’s name is Debbie Shea, and she’s a funny comedian--and probably a strong black woman in her own way. She’s been on Comedy Central’s Premium Blend, won competitions, and even crosses her legs when she drops a doody in the toilet (her words, not mine. Actually, she didn’t say “drop a doody,” because she’s not 4 years old, but I think you get what I mean). She performed before I did, and I was instantly nervous because she had actual professional credits to her name. She was also sitting in the very front during my set, and I feared her judgment.

However, when the show was over, Miss Shea had praise for a blacktress. She was as cool and deadpan offstage as she was on, so when she said, “Hey, I’ve never seen you around. Do you perform a lot?” I felt a shiver down my spine, as though the cool kid in class had suddenly asked to borrow my pen. I told her no, and how I had been nervous to perform after someone “who was real”—I mean, after all, you’re nobody until you’ve been on television. I gave her my blacktress business card and asked her if she’d buy my freedom. She took this request in stride (as only a potential sponsor could), and gave me a link to her website.

I am swooning over her. I really want to keep doing comedy, but standing up in front of strangers who are basically looking at you with a face that says “dance, puppet, DANCE!!!” can be terrifying. When a seasoned pro tells me I’m good in a way that’s too cool for school, it gives the blacktress the boost she needs to keep spreading the TRUTH.

So, Debbie Shea, if you’re reading this… Thank you for the street cred. I promise, if you’re ever on the verge of getting into a bar fight, I will be your blackup.


The blacktress. Brought to you by Debbie Shea, the letter Q, and....readers like you.

NEVER FORGET!!!!

In addition to being a writer, comedian, and blacktress, I am also a grader for an undergraduate film course at my alma mater (yeah, I got my learn on when I was allowed to). I receive papers written by students of all grade levels taking an introductory course in cinema, and I wield my red pen like a sword, cutting into their hopes and dreams—and dropping a little knowledge. What I love about this job is threefold:

1. I get a little extra income coming in (I’m just a freed squirrel trying to get a nut, y’all!)
2. I get to reaffirm my own genius by judging others.
3. I get to guide young Caucasian minds, teaching them how to write thoughtful analysis and become freedom writers.
(sometimes I’m tempted to ask about their great-grandfathers’ slave-owning past, but I remember that that’s inappropriate in academia)

But sometimes when I’m reading these papers, the young people of Diversity University teach me a thing or two … and then I know why Michelle Pfeiffer, Hilary Swank, and Dainty Deb find great joy in teaching. (Granted, it’s better when the kids are impoverished and brown--cause then you can really hold your head up high at dinner parties and art openings--but well-tended liberals are better than nothing.)

Take, for instance, the current topic of the papers I am grading. They are for a film course that combines philosophy and psychology (only at Diversity U!), and has students quoting Freud, Nietzsche, and other scholars as they discuss memory and identity in melodrama. Reading 4 pages that manage to analyze the acting chops of Bette Davis and Freud’s definition of melancholy is nothing short of brilliant. However, when I saw that one of the paper topics asked students to comment on the differences between males and females, my eyes perked up with excitement. Here’s the intro to one paper:

"It is not uncommon for men to be baffled by the amount that women seem to ‘obsess’ over details and events, analyzing every word of a conversation that was had a week ago. Beyond this everyday difference and constant source of fighting between the sexes, there is the fact that women are forced to remember, while men are allowed to forget. This is due to cultural expectations and physical realities that have always existed and will always exist, and can be seen clearly in __________ and __________."

Does this student read my blog? How do they have such a firm grasp on female “obsession” and analysis of conversations that were “had a week ago”? The idea of women being forced to remember and men being allowed to forget is the crux of the essay, for in melodramatic films, male characters get to be playboys—or suffer from amnesia—while women always have to remember the magical night, the failed romance, or….THE KID THAT THEY GAVE BIRTH TO.

Reading these essays, I wondered if this was the key to the differences between the sexes: why do I freak out over a random dude not calling me after a few dates? Why do I replay our conversations in my head on loop, wondering what I said that was “too much,” while he skips happily along, going on auditions and playing magic cards—wait, I mean, doing whatever else he does ‘cause I’m not still into Magic-card Guy anyway.

I digress.

Is the reason for my obsession biological? Is it because any physical union with a man could result in our love-, dislike-, or drunken-boredom-child? My DNA says that it’s in my best interest to remember a potential baby daddy, if not for the future health of my offspring, but for the sheer need to avoid appearing on Jerry Springer or Maury Povich.

The student then went on to explain how easy it is for men to forget, and how the display of emotion common in females is not seen as a male virtue:

"though there are some cultures that are more accepting of male emotion than American culture, it is a present factor in every culture to some extent, tracing back to the fact that the male cavemen hunted for food while the women picked berries and tended to the cave and children."

(I kid you not. This is a real excerpt from a college student’s paper. A student whose parents and/or the government pay $40,000 per year for him/her to learn and write such papers.)

That is so true!!! I mean, have you seen the Geico commercials? Those cave dudes are always hunting for food and fun. Where are cavewomen on our television screens? They are off picking berries and tending to the cave and cavechildren!!!! From the beginning of time, women have had to remember everything that goes down cause men have been too busy hunting and flirting with cave-tramps. And now, in the 21st century, instead of hunting (which may be an actually legitimate excuse, since it was key to survival), all a dude has to say is that “shit’s been crazy” with them, leaving it up to you to remember when their mother’s birthday is, or when they get out of class so you can casually bump into them, or when you took your birth control pill so that you don’t end up at PPNYC.

Men are allowed to forget, and women are forced to remember.

In case you were wondering, I gave the above student an A+++ and told them to call me.