Tiamo, Te Amo

"Thou canst be harmed by man nor sword, for now Macbeth is an undead Lord!!!!"

This is a line from "Macbeth Re-Arisen," the production I had the privilege of seeing Wednesday night at Trades Hall, in Melbourne. As previously stated, it likes to think of itself as a cross between "Shaun of the Dead" and Shakespeare--you know, as natural a combination as peanut butter and jelly.

Prior to the show, I had dinner at Tiamo, an Italian restaurant recommended to me twice over by both "Let's Go!" and a lovely shopkeeper at a clothing store where I bought a $10 skirt. After miscalculating the distance and walking in scorching heat, I arrived to find the restaurant packed, but luckily there was a bar with seating. I sidled up between two older gentlemen and asked for a menu. The older waiter pointed to the chalkboard behind him, where there roughly 10 options. I like that they keep it simple.

"You support him?"

I looked up from my book to see this older man looking at me expectantly. I stared blankly, caught off guard. He then pointed to the Obama pin I was wearing (I said I'd never take it off and I mean it) and raised his eyebrows.

"Hell yeah!" I smiled.
"He's a good-looking man, that Obama." He smiled in a knowing, sorta pervy way.
I didn't know how to respond.
"Him and his wife. That's a good-looking couple."
I don't know if you've ever heard of a "red flag," but if you were to look it up in the dictionary, it would probably show the line above as an example. In general, when one begins a discussion of politics with a comment on the physical attractiveness of the people involved, it indicates there's little knowledge of the issues. When you stare at a black woman and tell her Michelle Obama is sexy as she sits alone in a possibly Mafioso restaurant, there is little doubt that the flag must be raised and waved fiercely.

He asked where I was from, and introduced himself as Sam. He shook my hand and it felt a little greasy, and I made a mental note not to break my bread with my right hand. Just then, another older waiter came over and Sam said something to him in Italian while looking at me. They share a laugh, the waiter leaves, and Sam says, "He knows I love black women!"

I smile lightly and go back to my book, but Sam does not get the hint. He asks what I do for a living (which annoys the shit out of me), and I tell him I'm a writer.
"You want to write about me?" he says, crazy eyes bulging.
"What you got for me?"
"Have you heard of Toyota?" I nod. "Well, I know some things about them."
Sam is clearly a high-ranking Mafia official.
"I don't know if that'll be interesting, Sam," I say, trying to keep it light lest he pull out a pocket knife and put me in my place.
"Well, I got another one. You can write about the break down of my marriage."
I am uncomfortable.
There was an empty seat between us, and just when Sam asks if he can sit next to me, another older fellow enters and takes the seat. I silently thank black Jesus ("hair like lamb's wool"!)and wait for my rigatoni ragu to arrive. After I start eating, Sam leans back and says to me, "I'm gonna apply for a bank loan tomorrow morning so I can take you out for dinner!" chuckling to himself.

I looked down at my plate. I mean, I was at an Italian restaurant; it was a hearty portion, but nothing out of the ordinary. I silently wished death upon Sam, who up until then was just a slightly sleazy but relatively harmless old man. Now, he was single-handedly responsible for rekindling my 8th-grade eating disorder.

The man between us started chatting with Sam, and I was left to enjoy my rigatoni in peace. After about 15 minutes, he turns me and says, "So you're a writer?"
Clearly, Sam's can't stop talking about me.
I nod, and for the next 5 minutes he proceeds to spew titles of great Australian novels, asking if I've read them.
"Have you heard of Honeybee? It's about real things, like honey."
Seriously, he said this.
I failed him yet again and he became bored of me. He looked down at his empty bowl of minestrone soup and settled his bill and left.
Just then, a hyperactive 4-year-old took his place. He jumped on the stool and poked my boob, before turning to Sam and saying, "you're a stupid-head, mate."
From the mouths of babes.
Although I was thrown by the boob touch, it was more action than I'd seen since I'd arrived in this country, so I figured I'd let it slide. Besides, the kid--who I learned was named Nicolas--was like a cross between Crocodile Dundee and Problem Child, and I could not stop watching him sit up at the bar stool like he owned the place.

I went to tally my bill when the manager gave me a glass of wine and told me that Nicolas' dad would give me a ride to the theater where "Macbeth Re-Arisen" was playing. Completely stuck on this "balls to the wall" lifestyle, I had no qualms with getting in a car with a stranger and his 4-year-old child if it meant staying out of the heat.

While my meal cost $16--more if you count the wine I didn't ask for--the manager simply asked for $10 and then asked if I knew of any vacant apartments in Sydney. He explained that his son, Roberto, is a producer on The Bachelor, and needs to be on location for three months starting in January. I gave him some info and my cell number, and before I could even hop off my stool, he put his Iphone to my ear so that I could chat with Roberto.

Roberto and I were equally awkward and confused, but he appreciated the information.
As I headed out with the stranger and his child, the manager said he'd call me Friday and take me out to lunch.
I found this confusing but agreed, fully planning not to answer my phone for the next 48 hours.

I managed to make it to the theater with 10 minutes to spare, and was immediately directed to a bar area. I guess they knew the show benefited from a sauced audience. Done completely in Shakespearean verse, it took place after Macbeth's death, with him returning from the grave as a zombie, bent on resurrecting his wife and raising an army of zombies. The real crescendo was when Hecate gives him a chainsaw (to which he replied "groovy."-- i don't think that's Shakespearean) to slice and dice as he wished.

With no one to talk to, I sat in the theater at intermission and wrote down stuff, prompting the producer to ask me if I was from an international publication. I thought that was quite bold of her to assume that "Macbeth Re-Arisen" had somehow gained international notoriety in it's first week of performances, and I had been dispatched immediately to see the magic for myself. Although the beauty of crossing the international dateline alone is the ability to create any identity at any time, I said no, and she quickly got bored of me.

I went home that night feeling slightly drunk, a little violated, and more than a little confused. I have to go back to Tiamo and see how I can get on The Bachelor.