Made in 1942, it stars Bette Davis as Charlotte Vale, an unattractive spinster who lives with her overbearing mother, who convinces her that she’s nothing, “with her bushy eyebrows and glasses.” I was discussing this with my homegirl The Persian Excursion earlier today, and she made a good point:
The Excursion: do you think that is how they got the original idea for Ugly Betty?
i mean for real though
Ugly Bette Davis
HELLO!
Coincidence? I think not.
Anyway, back to the film:
Charlotte, a frumpy adult who has never known the touch of a man, is a woman on the verge of a nervous breakdown (o, "una mujer al borde de una ataque de nervios," for all you Betty La Fea fans), when a psychiatrist comes to her rescue and tells her to come to his sanatorium, luring her with candies into his white van.
I jest. He’s not a perv.
In his crazy house (which is apparently where they put anybody who was stressed or different up until 1975), Charlotte learns that she’s in fact attractive, and they trade her busted clothes for stylish ones, much like the character of Tai in Clueless, and she takes off her glasses, much like Rachel Leigh Cook in She’s All That.
After bringing her own sexy back, Charlotte decides to go on a cruise and get her head right. There, she meets a man named Jerry, who doesn’t love his wife, but stays with her for their daughter. Jerry and Charlotte clearly have a connection, but he’s married, and Charlotte’s classy.
She returns home after her cruise feeling grown and sexy—and a little sad that she’s lost a man. She quickly finds a new one, a wealthy widower who is ready to marry her. Charlotte, however, can't get over Jerry, and breaks her engagement, making her mother so angry that she has a heart attack and dies (did I mention this was a 1942 melodrama?). So what does Charlotte do?
She goes back to the sanatorium to get her head right.
She, like Winona, is a Girl, Interrupted (but unlike Winona, she doesn’t steal).
At the sanatorium, she meets Tina—JERRY’S DAUGHTER (cue music). Tina, like, Charlotte, is called an “ugly duckling,” and, in the words of TLC, feels “unpretty.” She and Charlotte bond, with Charlotte taking her under her wing and bringing her back home with her to Boston.
Jerry clearly comes to her house to see where his daughter is, and you think they’ll finally get together, but…..
Should I spoil it? You may have to see this film.
Charlotte’s last line is, "Oh, Jerry, don't let's ask for the moon... we have the stars," one of the top 100 movie quotes in American cinema (seriously, look it up).
You may be saying to yourself, “Sojourner, Bette Davis isn’t a blacktress,” or “This movie sounds lame. Why are you giving me a plot summary of a melodrama starring a random white woman? What does this have to do with me?”
Nothing. It has to do with me.
Let me explain.
I, too, grew up as an ugly duckling, and at times my mamadukes could be rough and tough on a young blacktress (you don’t know drama until you know Black Mama Drama). I’m sure if laws weren’t so strict I would have been sent away to a sanatorium just so she could get peace and quiet.
I, too, in moments of confidence, have met a man while on a foreign journey (or a foreign man on a blacktress journey), but was unable to express my love due to circumstances outside of my control (you know, he lived in Australia and had a girlfriend—those kinds of hurdles).
And, I, too, am now a voyager.
However, unlike Ugly Bette, I WILL ask for the moon, the stars—and a condo on Mars!!! (sometimes the blacktress likes to freestyle)
As I sit on the plantation, embittered and bored, I think about the possibilities for the blacktress in a foreign land.
I could open up a beauty shop, a la Queen Latifah
I could open a soul food restaurant, and let people fetishize my otherness.
I could write a book, the eagerly anticipated follow-up to my speech “Ain’t I a Woman?!” in the vein of Eat, Pray, Love—only not whiny crap.
Lee from Brisbane said she’d pick me up from the airport. Girl, how far is Brisbane from Sydney? Holla at me via gmail--aka, gangstamail!
